Tuesday, February 12, 2008

Country Quiz


I've been hard at work on SHE'S IN A BETTER PLACE, also known as "Fairlawn #3," so I haven't had time for thinking of much else.  

So here's a little something for you to try.  According to my score, I'm a "geography genius," but trust me, I didn't feel like a genius as I was trying to place these images.  Felt more like a dunce.  :-) (And if 70 percent is genius, well . . . that test is graded on a CURVE!) 

So . . . how well do you know the countries of the world?  Take this quiz and let me know how you did! 

~~Angie 

Monday, February 11, 2008

Diann Mills' Awaken my Heart



Awaken My Heart by DiAnn Mills - www.diannmills.com

 

 

Awaken My Heart by DiAnn Mills tells the unlikely love story between 18-year-old Marianne, a wealthy rancher’s daughter, and the infamous Mexican rebel leader warring against her father.

 Click HERE to learn more and to enter sweepstakes for free stay at a Bed & Breakfast of your choice!

 1803, The Colony of Texas Journey back to the early days of southwest history  when the Spanish ruled the vast territory of Texas and padres instructed the  people in the ways of God. Step into the world of handsome vaqueros and brightly dressed dark-eyed maidens.   The time is 1803. This is the era of Marianne Phillips and Armando Garcia, two people separated by race and culture but destined for love. Marianne is the daughter of a wealthy American rancher, a man who will do anything to please the Spanish and secure his land. Armando is a Mexican peasant, a rebel according to the Spanish. He has committed his life to helping the poor rise from poverty and the oppression of the ruling Spanish. Armando and Marianne . . . Two unlikely people who have little in common. Or do they? Open this book to a romance that will live in your heart long after the story is told. Curl up in a serape and listen to the strum of a Spanish guitar. I invite you to read with your heart and become a part of a love story that only the hand of God could orchestrate.  

What reviewers are saying about Awaken My Heart:

"Awaken My Heart is a terrific early nineteenth century Texas Colonial romance starring two caring protagonists who in many ways seem like a North American Romeo and Juliet. The story line is fast-paced and loaded with action . . . DiAnn Mills provides a delightful historical that brings to vivid life a time and place that rarely if ever has served as the background." - Harriet Klausner

"Awaken My Heart is a colorful inspirational tale of romance and adventure! -Diana Risso, Romance Reviews Today

Q & A with the author - DiAnn Mills

Q: Welcome, Diann!  You’ve been writing historical fiction for a long time. What interested you in the 1803 time period?

A: I love Texas history, and I have an appreciation for the courageous men and women who built this state. Early Texas is a mixture of Native American, Spanish, black, and various European descents. Each race offered us a rich cultural heritage, a heritage that we should be proud.

Q: Does  Awaken My Heart have a particular theme?

A: The theme is courage: courage to stand up to political and social factions that vie against God and what He desires for His people.

Q: Armando Garcia is quite the rebel!  Do you think this type of hero glorifies rebellion? 

A: Not at all. Armando had much to learn about the difference between his own desires and what God required of him. Once he realized his stand needed to embrace truth, he was on the right road.

Q: Marianne Phillips has a streak of rebellion in her. How was it channeled?

A: Marianne kept much of her rebellion inside because she knew God expected her to honor her parents, and in many instances, her father’s wishes. Once she saw that she had to make a choice between obedience to her father and obedience to God, she found strength to do that which was right.

Q: What is your biggest challenge in writing?

A: Always the characterization. I crave three dimensional characters that will experience growth. Understanding and acting upon their motivation takes time! Sometimes I simply have to “live” with them for awhile. J

Q: So how do you develop your characters?

A: Through time, patience, people-watching, viewing them through unusual situations, brainstorming, and consulting many books about the psychology of personalities. And that’s just the beginning!

A: I use the Myers-Briggs personality profile.  It helps a lot!  How much of yourself goes into a character?

A: I attempt to keep myself excluded from the process, but I admit that an opinion or a trait appears now and then.

Q: LOL!  For me . . . well, let's just say that it's not on a mere whim that I call my blog "a life in pages!"   What's next in the pipeline for you? 

A: I’m currently writing a romantic suspense for Tyndale, the second book in the Behind the Sunglasses Series. I’m also preparing various historical fiction proposals.

Q: What advice do you have for any new writers out there? 

A: To read in the genre in which they want to write. To read the books written by those authors they admire. To read books about the craft. To write everyday. To become active in a writer’s group.

Q: And before we go, how can readers contact you? 

A:  My website is www.diannmills.com.  Thanks!

Thanks for dropping by! 

~~Angie

 

 


Saturday, February 09, 2008

Your Life in Six Words?


I love the quote I shared yesterday, and it is true in one sense--we do make choices in life, and what we choose often doesn't measure up to what we planned.  In fact, I feel that way every time I finish a book and mentally compare it to what I had envisioned at the start. 

However--in another sense, the things I write are really only scribbles, because the days of my life are "already written" in the book God designed for me.  In his sovereignty, he is directing my paths and teaching me even through my mistakes. 

There's a new book called NOT QUITE WHAT I WAS PLANNING.  It's a collection of six-word life summaries by writers and speakers, collected by Smith Magazine. 

You can read several six word memoirs from the book here. 

Okay, so you probably know I'm going to ask--can you condense your life up to this point into six words?  Mine would be: "Discovered pen isn't in my hand." 

I asked some writing friends to play the game, and they came up with some hilarious--and moving--six word memoirs.  Here's a sampling: 

Mom to everyone, kills for fun.  --Colleen Coble

Life wasn't exciting, made one up. --DeAnna Dodson

One life. One Lord. Endless stories. --Kathy Herman

Princess by nature with good handbags. --Kristen Billerbeck

Sarcastic Southern belle, lies like kudzu.  --Tammy Alexander

Happy mom outgrew job. Invented another. --Deborah Raney

Born making noise and haven't stopped. --Gail Martin

Love baseball, wrong gender, write instead. --Kathryn Mackel

Lord, just take me to heaven. --Jefferson Scott

Found true love twice, with spice. --Stephanie Whitson Higgins

Dazed/confused most of the time. --Robin Carroll

Got lost. Got found. Got joy.  --Nancy Mehl

Early sprouting writer, late blooming Christian. --Ron Benrey

Lives in two worlds at once.  --Hannah Alexander (Cheryl Hodde)

By God's grace. By God's grace. --Brandilyn Collins

"Your plans?" Ha ha, says God. --Marlo Schalesky. 

My life is not my own. --Wanda Dyson

Life is hard. God is good. --Robin Lee Hatcher

Mom to many, daughter of God. --Sunni Jeffers

Advance learner passing on God's teaching. --Terri Blackstock. 


Catching glimpses of a Distant City--Ann Tatlock. 

Loves life, the Lord, telling stories. --Gayle Roper

Counting temporary costs, anticipating eternal payoffs. --Randy Alcorn. 

Too loud. Too fast. Too blessed. --Tom Morrisey

So . . . what's YOUR six-word memoir?  

~~Angie

Friday, February 08, 2008

Profound Quote


The other day I had a snippet of a quote running through my brain, and I couldn't nail it down. Something about a man's life being like a book . . . something about "he hoped to make of it."  I Googled quotations, I Googled diary, I Googled everything I could think of, but no dice. 

Then, last night, I could hear the voice speaking the quote . . . and I remembered that I'd heard the quote on a tape. A tape I used to listen to in my car--when I had a car with a tape player.  So I went out to the garage and, wonder of wonders, found the tape in a basket of tapes I'd pulled out of my old car.  And I found THE tape, which had been recorded by the late Gary Provost in his distinctive Boston accent. 

That accent, in fact, is probably why I got the quote wrong--I couldn't understand Gary!  So here it is, the profound quote that's been haunting me for a couple of weeks: 

"The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it."

Know who said it?  J. M. Barrie, the man who wrote Peter Pan.  
I think that quote is very appropriate for a book set in a funeral home . . . 

~~Happy Friday!  

Angie 

Thursday, February 07, 2008

Well, okay! I like cowboys.


Well, I tell you--I haven't read Susie Warren's latest book, TAMING RAFE, but the man on the cover is cute enough to make me buy the book (I have a thing for horses and cowboys--as long as the cowboys are nice to the horses).  

Anyway, here's a bit about Susie's latest novel: 

Book 2 in The Noble Legacy series: Two-time world champion bull rider Rafe Noble had no idea how quickly his world could end. In less than eight seconds, he lost his title, his career, and his best friend-all on the dirt floor of a noisy rodeo arena. Katherine Breckenridge just wants to make a difference by running her mother's charity foundation. But the mysterious disappearance of half a million dollars has forced it to the brink of bankruptcy. Her last chance to save it is the annual fund-raiser, an event that's destroyed by an out-of-control Rafe Noble. 

Desperate to rescue the foundation, Katherine heads to the Noble family ranch to enlist Rafe's help in raising the money he cost her in lost donations. What she doesn't know is that Rafe is broke-in cash and in spirit-and that helping her could end up costing him his life.


If you like that, you can buy the book here.  

And, LOL, Rafe has his own blog!  You can read it here. 

Yee haw!  Enjoy! 

~~Angie 

P.S. A political note:  I keep going back to www.glassbooth.org to check my views and convictions against the records of the current candidates.  I'm convinced that in the primaries I was able to vote my conscience, but in the national election, I may have to vote politically . . . but I do not think we can afford to stay home. I keep thinking of that quote: All that is necessary for evil to prosper is for good men (and women) to do nothing.  

So let's not stay home come next November. 


Wednesday, February 06, 2008

A Taste Test


So I'm beginning the third draft of the third Fairlawn, SHE'S IN A BETTER PLACE.  Here's the first chapter, if you're interested in reading ahead . . . 

Chapter One

 

 

Corpses should be better-behaved.

Mr. Lyle Kourtis, aged ninety-three years, has been resting on my embalming table for less than an hour, but he’s already belched four times. I wouldn’t mind so much—the dead do burp and even shift occasionally—but the hour is late, darkness is pressing at the windows, and I’m alone in the chilly prep room.

Gerald has run to the drugstore for cotton, so I’ve been left to bathe Mr. Kourtis. The job won’t be difficult—the old man is as thin as a bird, and rigor is not so pronounced that he’s resisting my efforts. The arterial embalming is well underway, the Portiboy rhythmically clicking as it sends embalming fluid through a plastic tube and into our client’s carotid artery. A bath will help the solution move through the arteries in the gentleman’s limbs.

I pick up the hose, turn on the water, and test the temperature by spraying a stream over my wrist, the same place I used to test bottles of formula when Clay and Bugs were babies. The water doesn’t have to be warm, of course—Mr. Kourtis certainly won’t care if it’s cool—but Gerald has ingrained in me such a respect for the dead that I can no more imagine giving my client a cold shower than I can consider doing an embalming without a hand towel draped over the body’s most private organs.

My professors in the mortuary program thought my methods quaint, but they are Gerald’s methods, born out of love for others.

As the Portiboy clicks and hums, I spray the few strands of white hair on Mr. K’s head and smooth the deeply scored lines from his forehead. This man came to us from the Pleasant Valley Nursing Home, where he had been a resident for nine years. According to the file we found waiting on the zippered body bag, he outlived two of his sons. A daughter, Felicia, lives in Winter Haven while a granddaughter lives here in Mt. Dora.

Fortunately, we didn’t have to consult Felicia before beginning our work. Mr. Kourtis was wise enough to preplan his funeral, so Gerald and I have proceeded according to his wishes. The administrator at Pleasant Valley informed Felicia Kourtis Josten of her father’s death, so I followed up with a call and left a message asking if she had any preference as to the time of the funeral service.

I suspect that Mr. K may be attended by few family members. The daughter may be in her seventies, and though Winter Haven is only an hour’s drive away, miles of teeming tourist traffic lie between our funeral home and Felicia Josten. I don’t know many older folks who like driving at breakneck highway speeds . . . which is probably how they survived to be older folks.

I squirt a dime-sized glob of shampoo into my wet palm and then work it into Mr. Kourtis’s thin hair. “I hope your daughter can make it,” I tell him. “But if she doesn’t, don’t you worry about having a crowd. People in Mt. Dora love a good funeral.”

The back door opens, followed by Gerald’s laugh and a rush of cool April air. “Congratulations,” he says, stamping mud from his shoes. “Though you won’t find it written in any book, one of the surest ways to know you’re ready to be a full-time funeral director is when you start talking to the clients.”

I grin as I pick up the spray nozzle. “They don’t seem to mind a little conversation.”

“They don’t. But do let me know if they start talking back.” Gerald tosses a bag of cotton balls onto the counter and lumbers to the sink where body fluids and clotted blood are draining from the trough in the side of the prep table. “Everything okay?”

“Everything’s fine,” I say, rinsing Mr. K’s hair and sending a stream of soapy water into the trough as well. “No plumbing problems tonight.”

“Good.” He reaches for a pair of latex gloves. “You want me to shave him?”

“Already finished. His cheeks are clean and prickle-free.”

“I wish everything about this case was prickle-free.”

I glance up. “Is there a problem I don’t know about?”

“Maybe not . . . but at the time Mr. Kourtis signed his pre-need papers, his daughter and his second wife had a falling out. They flew out of here like a pair of hornets, buzzing at each other the entire way.”

“There’s no mention of a wife in the file. The daughter is listed as next of kin.”

“That’s because the woman divorced him right after she put him in the home. If the ex-wife and the daughter meet at the funeral, we might see a few fireworks.”

I smile as I spray Mr. K’s shoulders with an antibacterial solution. “That contract was signed a long time ago. Surely you don’t think those women are still feuding.”

“Women have an awful long memory about such things.”

“So do some men.”

“Point taken. But I’m wondering if we shouldn’t do something to keep those gals apart in the chapel.”

I rub soap into Mr. Kourtis’s skin, massaging his upper arm and working the pink arterial fluid through his capillaries. “I don’t think you need to worry. If both women show up, surely they’ll come together in their grief. They’ll have to realize that they both loved this man.”

Gerald gives me a narrowed glinting glance. “Funerals don’t always bring out the best in people, Missy.”

“Just leave it to me.” I pick up the spray nozzle again. “If they both show up, I’ll have a talk with them before the service. If they still have hard feelings toward one another, I’ll do what I can to bring them together . . . or seat them on opposite sides of the room.”

“Sounds good.” Gerald leans one hand on the table and surveys the room. “Okay . . . what else do you need?”

I glance at him, noticing that his voice sounds more gravelly than usual. Dark circles lie under his eyes, and his color seems . . . off.

“You look exhausted,” I tell him, shutting off the water. “Why don’t you go on up to bed?”

He gestures to the man on the table. “I oughta help you.”

“It’s okay; I don’t think I’m going to have any problems. In a couple of hours I’ll be finished and headed upstairs to tuck the boys into bed.”

Gerald looks around as if searching for something to do, but I side step and catch his eye. “Thanks for the cotton balls. You go on up and I’ll call you if I run into a problem. We’ll get Mr. K casketed tomorrow.”

He sighs and turns toward the door that leads to the staircase. I watch him go and shake my head when the door finally clicks behind him.

I don’t know why he’s so worried about Mr. Kourtis’s survivors. In all Gerald’s years at Fairlawn, I know he has noticed how funerals often bring people together. The power of a meaningful, reverent memorial service is one of the reasons I’m proud to say I’m an apprentice funeral director.

Morticians fix things. We repair broken bodies and restore ruptured relationships. When death comes, we step in to minister to the deceased and help the living continue with their lives. We act as the hands of Jesus in caring for the dead and ministering to the grief-stricken family.

Gerald stepped into my life and helped me put its frayed elements back together. If not for him . . . I don’t know where my boys and I would be.

I startle when another soft burp escapes Mr. K’s lips. “Don’t you worry,” I tell my client, reaching for a towel. “I’m going to make sure your family members enjoy a dignified funeral service. You’ll be proud of them.”

I smile as I wipe glistening water droplets from my client’s face. After two years of living in Mt. Dora, I’m beginning to understand why God brought my boys and me to the Fairlawn Funeral Home. 


~~Angie

Tuesday, February 05, 2008

BOM: Questions and Answers


This will be the final day for the BOM, and I'm happy to answer the questions that came in. 

Amy Beth asked:how do you personally deal with critics? Do you take what they say personally or are you able to brush it off?
 
I wouldn't be human if I didn't take it somewhat personally . . . and sure, criticism stings.  The thing that hurts most is when and if I am misunderstood--some folks are so small-picture minded that they completely miss the big picture, which is often where my message lies.  The thing that irritates me most is when mature Christians behave like weaker brothers and claim offense at things that should not offend them.  I always think of that verse that says, "Great peace have they who love thy law . . . and nothing shall offend them."  :-)  If we are firmly rooted in Christ, why are we so easily ruffled? 
 
The key, as in all things, is not to RESPOND to criticism out of anger or hurt.  So after I've had a chance to vent to my husband (his first response is always, 'Want me to beat 'em up?'  LOL.  He's such a man), I try to read the letter or review again and look for truths that it might contain and I might be too blind to see.  At that point, if it's a review, I let it go.  Responding publicly to a bad review looks like sour grapes and accomplishes very little, if anything. 

If it's a letter, however, I try to be honest in my response.  If I found a valid point in the letter, I thank the writer for bringing it to my attention.  However, most people fire off these letters and emails in the heat of their passion, so most critical letters are not exactly Spirit-filled.  I wrote one woman back and opened with:  "You didn't pray before sending this to me, did you?" 

She wrote back and confessed that she had not . . . and then she apologized. 
 
If the person is being hurtful, I tell them that their comments hurt.  I honestly think that some angry letter writers don't even realize that a real person will be on the other end of that exchange. Or they imagine that some mythical "staff" will sort through emails, so the author will never even see the letter. LOL! Oh, to have a "staff!"  
 
So--I try to respond to critical emails and letters, and once that's done, I simply file the letter away and try my best to forget it.  Human nature being what it is, though, if I receive thirty letters filled with praise and encouragement and one negative one, which one am I going to remember?  You bet, the angry one.  

Any time you go public with anything--a blog, a book, a newspaper column--you are inviting the public to read, judge, and respond.  So it is a good idea to devise a strategy for dealing with all of those things.  And it's very important to make sure you do your best in the first place, which is why I am constantly checking my theology and I trust my editors' judgment when certain issues might raise a red flag with readers.  IOW, I've learned to choose my battles carefully. (Joella Norris definitely has a bosom, but in the book the word has been changed to "chest." I did, however, take a stand for "fart particles," because that's very true-to-kid.)  

And I realize (sorry this is turning out to be a long answer) that many times the reader's problem stems from something in the reader's life, not mine.  For instance, there's a funeral scene at the end of "Doesn't She Look Natural."  One online reviewer described the Episcopalian clergyman as a "hell fire and brimstone preacher" (yowsers!)  while another reader wrote to tell me that I was mocking the Episcopal service.  Wrong on both counts.  The point of that scene was that many people in the audience were unused to the liturgy  of the service. One of my dearest pals worships at an Episcopal church, and I love how she loves her denomination. I'd certainly never mock it. 

So--sorry, didn't mean to write a book.  :--)  But doing this is easier than jumping into work on a Monday morning . . . 

Question: how did you research the stories? Just by spending hours at the library reading books? Did you have a specific topic that you looked up, or did you just start reading books in general about the period and build your story from there? 

When writing a historical novel, two kinds of research are necessary. First is the "broad" research where you learn about the structure of government, family life, religion, etc.  You learn how women are treated in a time period and how religion influences the daily life.  You learn who was king and who wasn't.  You learn about social customs and prevalent beliefs.  You learn about medicine, food, clothing, agriculture, etc.  I usually spend a couple of weeks doing this broad sort of research, and I take copious notes.  These days, I take them on computer.  For Afton and my Egyptian series, I took notes on notecards, then organized them by topic.  "Broad" research is necessary for plot (especially if events in the story revolve around historical events), and it can also give you ideas for plot (like learning about the twins/two fathers idea). 

The second kind of research is what I call "detail" research--you're writing along, and you say, "Wido sat down and ate . . . "  what?  When I'm first-drafting, I usually just stick in a pair of brackets that look like this:  [look up what he'd eat], and I keep going.  In the second draft, I look up details about food, clothing, transportation, etc.  Sometimes you don't know what you need to know until you need to know it.  :-)  

In the early days, I borrowed library books.  These days, I tend to buy books and mark them all up.  Yes, my library is very crowded.  :-)  NOTE:  I do not read other novels for research.  I might read other novels in that time period, but I don't use novels for historical research because part of a novel is always "made up." Trouble is, most of the time you can't tell what's "made up" and what's historical. 

Well, that wraps things up for another BOM.  Thanks for coming along! 

~~Angie, off to her book club meeting.  

Monday, February 04, 2008

BOM: Results and Reader Reaction


I've already mentioned a few reader reactions--though I have to say, I don't think I have personally received any negative letters on these books, I know they are not everyone's cup of tea.  In fact, I just looked at the Amazon reviews of Afton, and the most recent one says I have a sick mind.  Sigh.  She also mentions the dead cat. (What would she have thought if I wrote that one as true to history--it was actually the lover's heart, not a cat.  But I digress . . . )  

If I were writing those books today, I probably wouldn't be as graphic-- or maybe I'd describe things more . . . gracefully.  (Notice how careful I've been about the "ick" factor in the funeral home books.) I have learned.   That most recent Amazon review mentions how a king cut off the noses of some children (and obviously, the writer thinks I'm twisted for reporting it), but that was a historical incident.  Today, I might couch it in gentler terms, but still . . . those were perilous times, and I tried to be honest about the period.  Historical fiction that reads as "too gentle" doesn't ring true with me, but today I think I'd be more careful in how much detail I included. 

But . . . we live and we learn.  I've learned a lot about my readers' sensibilities over the years, and readers have learned what to expect from me.  And Christian fiction has matured to the point that there are now lots of genres with something for everyone. 

Do you have any questions about this series?  If so, just leave your question in the comments box.  Happy Monday! 

~~Angie 

Sunday, February 03, 2008

Afton of Margate Castle: The Editing/Results


I know I'm handling the format of this BOM in a different way--it's because it's a different kind of book/series.  

When I was writing Afton, I pulled no punches and was quite . . . out there.  Afton was brutalized, her cruel husband was really cruel, and I got so into the story that I remember actually quivering as I wrote one scene where Afton's husband is humiliating her.  Now I know what will fly in the CBA market, but in those days, I was clueless.  Most people were, because Christian fiction was still in its infancy.  (I sound like I'm in my dotage, don't I?)  LOL! 

(Now I would probably cringe at some of the writing--I know I write a lot tighter now, as I've gone back and edited my early work for re-publication, and I usually end up chopping out THOUSANDS of completely unnecessary words.)  

Anyway--I handed the book in, Karen Ball edited it, and the book was published. 

And then . . . I heard that the book was a little too graphic for many people's tastes.  Way too graphic for some folks, in fact.  My editors were quick to assure me that they still believed in me, but I remember weeping on my desk one afternoon, asking God why he gave me that story if it was going to upset so many people. 

Needless to say, it didn't get much in the way of marketing or promotion.  And Karen and I put our heads together and tried to change our approach for books two and three.  I needed to have a more evangelical slant, I needed to keep the sensitivities of the Christian reader in mind (which startled me because I'm a Christian reader, and obviously, nothing in the book was too much for me), and I quickly learned that there are limits to what the market will bear. 

And I had to struggle with how to portray an "evangelical" Christian in the  Dark Ages.  After praying about it for a long time, I decided that the essence of the Christian life is surrender.  We may know about God, we may go through a form of worship, but until we surrender our lives to Christ, we are still living for ourselves. 

So, regardless of what church was attended or not, I decided that my characters would come to a place of surrender to God--and that would be the point of their salvation--not if they prayed, confessed, did penance, or whatever. 

And so in the second book, THE TROUBADOUR'S QUEST, I played with the theme of courtly love in France . . . and in the third book, INGRAM OF THE IRISH, I explored Irish history.  In both books, I had characters who grappled with following their own wills, or surrendering to the will of God. 

About Afton--I believe I've blogged before about this, but I'll repeat it.  I actually came to think of that book with a sense of shame, as if I had missed the mark somehow, until a few years ago when a young woman came up to me at a Woman of Faith conference where I was signing books.  I was sitting there at the table with another book in front of me, and she said, "You're Angela Hunt. You wrote AFTON OF MARGATE CASTLE." 

I wondered if I should duck, but I nodded.  

She leaned closer.  "I was raped," she said, "And I thought no one would ever understand how I felt until I read that book. And when Afton found peace, I was able to see how I could find peace, too." 

If only for that young woman, I'm glad God gave me that story.  

~~Angie 

Saturday, February 02, 2008

BOM: The Writing and Research


Since this was my first adult novel and I really had no idea how to write a LONG story, I watched Gary Provost's Video Novel workshop tapes.  They give a fairly simple plot outline:  a character has a goal, and you toss in lots of complications before he/she comes to the place where he/she either gets or loses the goal, thus satisfying a need created in his/her backstory. 

With that to go on--and pretty much only that--I set out doing research into the medieval period.  One fascinating fact I discovered was that in those days people believed that twins were (or could have been) fathered by two different men.  (I have since learned that it is indeed possible).  So I thought, "A ha!  What if my protagonist has twins and this simply freaks her jealous husband out?" 

I also decided that this would be a classic revenge story:  a woman is wronged in her youth, and spends her entire life seeking revenge against the Lady who wronged her.  Toss in the crusades, a few kings and queens, and you have a plot.  

I wrote this book back in the early days of Christian fiction.  My publisher had not published any guidelines yet, and since I hadn't published any adult fiction before, I was sort of writing for the world at large.  So I created Afton, a poor villein on a lord's estate, gave her a true love, and married her off to an old, jealous, abusive husband.  Yes, it was "edgy" for those days; in fact, I think it'd be edgy now.  Medieval times were rough, and I only softened them a wee bit--for instance, the cruel husband at one point feeds Afton her pet kitten . . . in my research I discovered a cruel husband who actually fed his wife her lover's heart.  Ick.  Of course, my editor wasn't fond about the kitten, either . . . 

But that's a topic for later.  The editing. 

~~Angie

Friday, February 01, 2008

Book of the Month: Afton of Margate Castle and the Theyn Chronicles!




Sniff.  I was working on a scene a moment ago.  A character died in Fairlawn (what do you expect in a book about funeral homes?) and I got all choked up.  Really.  Now, if I can only get ahold of myself . . .
 
Thanks, Doni, for the suggestion to do the Theyn Chronicles!  I had almost forgotten about these books because they were my very first adult novels.  

You may have heard my little speech about how I became a novelist--the gist of it is, "by accident." Actually, it'd be more correct to say, "By Providence." 

You see, I never intended to write novels.  In 1983 I started writing articles and other nonfiction pieces, and after in 1988 I had begun to write children's picture books.  I also wrote some nonfiction books, then I thought I'd try my hand at fiction for middle graders.  After writing two or three series of those, one of my editors said, "Why don't you try adult novels?"  And I said, "Okay." 

The conversation literally went like this:  "Adult novels?  Okay.  What kind?" 
Editor:  "Well, historical seems to be selling well." 
Angie:  "Okay--what time period?" 
Editor:  "Well . . . Gilbert Morris has the Civil War all sewn up. And Janette Oake is doing those prairie books . . . and the Thoenes are covering Israel . . ." 
Angie:  "Ooooh--is anyone doing medieval times?  Lords, ladies, all that?  That might be fun." 
Editor:  "Go for it." 
(Well, that's paraphrased, but that's the gist.) 

So I agreed to write three historical novels set in medieval times.  And I didn't know a thing about medieval times, but soon discovered that it's not for no reason they are known as the Dark Ages. People couldn't read and write. Paganism was rampant, and often mixed in with the Catholic faith. And the Catholic faith was pretty much all there was--no four spiritual laws yet, you see, no Martin Luther.  No evangelicalism. 

Hmmm.  How does one write a novel--for the evangelical market-- about such dark times?  

And that became my challenge.  A pretty big one, as I soon discovered. 

Tomorrow:  How the specific ideas germinated for Afton of Margate Castle, The Troubadour's Quest, and Ingram of the Irish. 
 
~~Angie